Thursday, September 13, 2007

Feast of the Exaltation of the Holy Cross

"LIFT HIGH THE CROSS"

Feast of the Triumph of the Cross
September 14

Brother John M. Samaha, S.M.


Already in the time of the apostles the cross on which Christ died had become the symbol of his redemptive death, and a symbol for himself and for Christianity.

In 335 A.D. on September 13 the Church of the Martyrdom and Resurrection was dedicated in Jerusalem. The next day, in a solemn ceremony, the faithful were shown the cross that the Empress Helen had discovered on September 14, 320. This ceremony was repeated each successive year on September 14 in that church, which possessed a large relic of the cross. The reverent elevation of the relic of the true cross gave this day its name, “exaltation of the cross.” From this gesture we have our popular contemporary hymn, “Lift high the cross.” Later this feast was combined with the memorial of the rescue of the stolen cross from the Persians by the Emperor Heraclius in 628.

The striking prayers of the Divine Liturgy for this day testify to the grace of our salvation as expressed in Christ’s promise, “When I am lifted up from the earth, I will draw all to myself” John 12:32).

The tone of the feast of the “Exaltation of the Cross,” which more properly is now called the “Triumph of the Cross,” is quite different from the somber and sorrowful liturgy of Good Friday. September 14 has a definitely joyous character. It recalls our happiness about our salvation.

Because the cross has become so commonplace, there is danger that this symbol of Christian salvation may lose much of its significance. The cross is visible in so many places and we see it so often: in church, in our room, in public displays, even on some hilltops. Frequently we make the “sign of the cross” over ourselves when we pray and at other times. Even in the secular realm the word “cross” is widely used not only as a symbol of honor or service as in “Red Cross” and “Distinguished Service Cross,” but even in more prosaic terms such as “criss-cross,” “crossword,” and other common expressions. How do we overcome the tendency to lose or dilute the importance of the word and the symbol?

We need to devise solutions and reminders to overcome that kind of passivity. One approach is to think of and to speak of the striking symbolism of the two beams that make up the cross. The upright (vertical) beam with its orientation pointing both above and below will remind us that the Son of God came down from heaven for us and for our salvation. This beam is a symbol of God’s love for humankind, which manifests itself especially in the Incarnation and in Christ’s sacrificial death on the cross. The upright beam will also remind us of the necessity of lifting up the human spirit to God. When people forget this upward climb to God, this transcendence, they quickly lose awareness of the fundamental dimension of their own creaturely status and dependence on the Creator. Then the illusion of human autonomy quickly encroaches resulting in error and confusion.

The horizontal (cross) beam points both left and right indicating our fellow human beings all round us. That reminds us that together with the love of God, the love of neighbor is essential to the Christian commandment of love. True holiness cannot overlook one’s neighbor. Christ himself demonstrated symbolically with his arms extended on the cross what he had earlier proclaimed publicly: “When I am lifted up from the earth, I will draw all to myself” (John 12:32). Let us stretch our arms wide as Jesus has done, so that we will embrace the whole world. We cannot love God while denying our fellow human beings practical love in concrete situations. Christ refers every good deed, and every good deed left undone, to himself: “...you did it (did not do it) to me” (Matthew 25:40-45).

Recalling the vertical and horizontal beams of the cross in this way is a lively reminder of the Christian way of life. To give the symbol of the cross such a prominence in our lives is the most significant “exaltation” and “triumph” of the cross. May the feast and each time we bless ourselves remind us of this.

Wednesday, September 12, 2007

WE’RE OUT FOR BLOOD! YOURS WILL DO NICELY

This is a wonderful opportunity to save the life of another person, simply by taking a few minutes from your day to donate a pint of your blood! Are you a potential blood donor?

Friday, September 21
9:00am-3:00pm
St. Clare Parish Hall
725 Washington Street
(corner of Lafayette St. & Lexington St.)
Santa Clara

Blood donors must be at least 17 years old, in general good health, weigh at least 110 pounds, and must not have donated blood in the last 56 days. The link below leads to additional information about donor eligibility requirements related to travel, medications, etc.

General Eligibility Requirements

To schedule an appointment, log on to http://www.beadonor.com/
Sponsor code: DOSJ or call Linda Tully at 408-983-0144

Please remember to bring ID to the blood drive.
Eat a good meal and drink plenty of water before donating

Type O blood is in short supply!

Giving blood is safe, quick and easy. The entire process only takes about an hour and a single blood donation can help save more than one life. We have some great information to help you know what to expect when you give for the first time.

What To Expect When Giving Blood

Donating Blood: The Gift of Life
(Requires Macromedia Flash Player)

Please click here for more information and a flyer.

Tuesday, September 11, 2007

Rite for Quinceañera

Confirmation of the Rite for Quinceañera

On July 10, 2007, the Congregation for Divine Worship and the Discipline of the Sacraments confirmed the Spanish and English texts of the USCCB blessing for a young woman who has reached her fifteenth year, commonly called the Quinceañera. This rite, a part of the Book of Blessings and the Bendicional, to be published by the USCCB in the near future, may be found at this link (PDF). On July 26, 2007, Bishop William S. Skylstad, President of the United States Conference of Catholic Bishops, issued the following decree.

This ritual, the first confirmed edition of the Quinceañera, is popularly celebrated in several Spanish-speaking countries. A celebration of the passage of a young woman from childhood to adolescence, the rite expresses thanksgiving to God for the gift of life and asks for God's continued blessings of the young woman for years to come. Adaptations of the rite are provided for celebrations within or outside of Mass.

A commentary on the rite was published in the December, 2004 edition of the BCL Newsletter (pages 52-55) and is available online.

The BCL also published 15 Questions on the Quinceañera.

Classifieds: Full Time Director of Liturgy

Most Holy Trinity in San José, California, is seeking a Full Time Director of Liturgy for a diverse community. Responsibilities include:
  • recruiting and training new ministers,
  • collaborating and overseeing our musicians, and
  • working closely with the Art and Environment team.

The Director of Liturgy also works closely with members of the Filipino, Vietnamese, Hispanic, and Samoan cultural groups to plan individual liturgical celebrations throughout the year, as well as working collaboratively to plan multi-lingual liturgies for the parish (about 3/year).

Desired start date: October 1, 2007.

Qualifications include:

  • B.A. and some specialized liturgical/theological study (Institute for Leadership in Ministry, MA, or MDiv).
  • Working knowledge of liturgical documents and books.

Preferred (but not required) skills include:

  • bi-lingual capabilities (for any of our parish languages) and
  • knowledge of Liturgical Music.
  • Musical skills especially desirable.
Please e-mail, fax, or mail resume and cover letter by September 21, 2007, to:

Melissa Broome
Most Holy Trinity Church
2040 Nassau Drive
San José, CA 95122
E-mail: mbroome[at]mht-church[dot]org
Fax: (408) 258-4131
Phone: (408) 729-0101 x120

Tony Alonso in Concert – September 21, 2007

Tony Alonso is a liturgical music composer, singer, author, campus minister, and workshop presenter on liturgy and music, and was dubbed “the voice of a new generation in church music.” Plus he's a nice guy!

Come spend a late afternoon with Tony in a free concert at the Santa Clara Convention Center on Friday, September 21, 4:30 to 5:30 p.m. The concert is presented in conjunction with the Faith Formation Conference. No-host espresso and snack bar available during the concert. Click the Faith Formation Conference link for more information.

Friday, September 07, 2007

Conferences at Yale on Liturgical Architecture - October 25 - 27, 2007

Yale is hosting an international conference on Sacred Space in October. There are actually two linked conferences, one by the Divinity School and one by the School of Architecture. Both require registration, but only the Divinity School has a charge ($40). The joint conference starts Thursday, October 25, 2007, at the Divinity School and then moves to the Architecture School to end on Saturday, October 27, 2007.

There should be a rather interesting debate between Richard Vosko and Duncan Stroik (two very diverse points of view on liturgy and the space required for it) during the Divinity School session. There is also a presentation by a German Jesuit, Friendhelm Mennekes, who runs a church for artists – he commissions various artists to create changing sacred space within which liturgy takes place.

The Architecture School will have a star-studded line up: Rafael Moneo speaking about the LA Cathedral, Steven Hall on the St. Ignatius Chapel at Seattle University, and Richard Meier on the Jubilee Church – as well as Vincent Scully (noted art/architecture historian), Moshe Safdie, Stanley Tigerman, Zaha Hadid, and more -

The links for the conferences and registrations are:


Hat tip to Fr. Gilbert Sunghera, SJ.

Thursday, September 06, 2007

Volunteer Organist Needed

The Carmelite Friars at Mount Saint Joseph (in the east Foothills of San Jose) are in need of an organist for their 9:30 a.m. Sunday Liturgy. This is a volunteer position. This musician must be able to choose, lead and accompany the Sunday congregation (about 125 persons) in traditional hymns and Gregorian chant. The ideal person would be able to cantor from the organ bench and play a prelude or postlude.

Please contact Fr. Adam Gonzales, OCD, at (408) 251-1361 ext. 324.

Wednesday, September 05, 2007

Liturgical Coordinators' Gathering - September 11, 2007

Yikes! Didn’t we just get out of school? What happened to summer? We’ve still got hamburgers to grill, beaches to lay out on, and trashy novels to read. Good grief!

Liturgical Coordinators’ Gathering
“Getting Back to the Work of the People”

Tuesday, September 11, 2007

10:00a - 12:00p


Chancery Offices, 4th Floor

You will come away from this meeting with:

  • Five suggestions for setting goals for the year;
  • Six ideas for finding and forming volunteers;
  • Three simple ideas to begin parish-wide faith sharing;
  • A fall meal prayer for families to pray together;
  • Four ideas for choreographing the Rite of Accpeptance;
  • A sample bulletin announcement explaining the role of the catechumens;
  • A ritual for the blessing of pets;

Come find out what others are doing to get back to work in their parishes. Bring your own questions, concerns, and ideas.

And here are the dates for the Liturgical Coordinators' Gatherings for the year:

  • Tuesday, November 6, 2007, 10:00a – 12:00p, location tbd
  • Tuesday, January 8, 2008, location tbd
  • Tuesday, March 4, 2008, location tbd
  • Tuesday, May 6, 2008, location tbd

If you would like to host any of these gatherings, please contact Diana or 408-983-0136.

Thursday, August 30, 2007

Singing Unity — Songs for Download


NPM and the Friars of the Atonement sponsored a competition that invited composers and writers to create a new hymn text and a new Communion song based on the prayer of Jesus, “That all may be one” (John 17:21). The winning entries – “Family of Faith” by Steven Ottományi and “That All May Be One in Christ” by Ricky Manalo,csp– are now available forfree downloadat theNPM website. Both compositions were sung by participants during the recent NPM National Convention in Indianapolis.

Faith Doing Justice

The current edition on the online Justice Newsletter, “Faith Doing Justice” from the Office of Evangelization, Justice, & Peace and edited by Linda Batton has just been published. There’s a lot to see – it’s been a busy time! I hope you will find the information useful and informative. Feel free to share it with others.

You will find the full newsletter at dsjjustice.blogspot.com or you can click on any of the links below to go directly to a posting. There is information on the sidebar on the right for printing. You can also click on the Babel Fish icon to see it translated into 8 languages. Try it, it’s a lot of fun! Also on the sidebar is an extensive list of links to key justice websites, the Daily Bulletin for the Diocese, and other Diocesan newsletters.

  • Welcome – End of Summer Edition
  • Parish Social Ministry Formation Opportunities - Fall 2007
  • 2007-2008 State Budget Signed
  • Labor Day Statement 2007: A Time to Remember, A Time to Recommit
  • Labor Day Speak-Out - 20 Parishes to Participate
  • St. Catherine's Hosts Dinner for Darfur
  • Blue Bag Project at Holy Spirit - BE THE CHANGE!
  • Global Climate Change
  • Immigrant Leadership Training
  • Increase Affordable Housing in Silicon Valley - Catholic Charities
  • Faith Formation Conference - September 21-22
  • Respect Life Sunday - October 7
  • World Mission Sunday - October 21
  • Global Poverty Conference - October 27
  • CCHD Collection - November 18
  • Poverty USA - Make a Difference!
  • Safely Surrendered Baby Law
  • Santa Clara County 2-1-1
  • "Our Journey to Native Lands" - Immersion Experience to Fort Apache
  • Covenant House - Volunteer Opportunities
  • New Website from USCCB on Catholic Social Teaching
  • A Reflection on Corpus Christi - Legalism and the Immigration Debate

Monday, August 27, 2007

Changing the World One Hug at a Time


Hat tip to Jill.

Total Lunar Eclipse Tonight

We on the west coast will have a great 90 minute show in the sky again. A few weeks ago, we had the Perseids shooting by. Tonight, the moon will be in a total lunar eclipse for an hour and a half, the longest in seven years. For us on the west coast, the eclipse begins at 12:54a Tuesday morning. At 2:52a, the moon will be completely shadowed, turning into a sunset-red, staying this way for almost 90 minutes. NASA headquarters says that at this point on earth, you will witness every sunrise and sunset in the world all at once! I'll be setting my alarm for 3:00a.


Hat tip to Todd.
Pic source: NASA

Monday, August 13, 2007

So you think RE Congress is big...

The Los Angeles Religious Education Congress in Anaheim, California, with its 40,000 in attendance, is certainly a lot of Catholics in one place each year.

But, the annual gathering for Marian Days in Carthage, Missouri, this last weekend, with 75,000 Vietnamese Catholics coming together to pray and hear lectures on faith, is even bigger.

Listen to National Public Radio's (NPR) story on it.

Sunday, August 12, 2007

God's Free Light Show Tonight: The Perseid Meteor Showers

Go out tonight and watch one of God's best light shows. I plan too. After midnight Monday morning (August 13) is the best time to watch, someplace away from city lights. Just look to the east.

Click here for a great list of 12 things you need to watch the Perseids or any meteor shower--and learn the difference between a meteor and a comet.

Update:
At around 1:00a, I drove up Bernal Road in South San Jose almost to the IBM complex at the top, to try to get away from the city lights. Seems like lots of other people had the same idea! There were about 10 other cars parked along the road near the top with people huddled in blankets sitting outside against the hillside looking out over Blossom Valley toward the east. I drove a little further up from the crowd to avoid the headlights from cars coming up the hill.

Granted, it's still not far enough from the city. (Last time I drove down 101 and stopped at a truck rest stop near Morgan Hill. Much darker but not as nice as area.) But the first streak I saw was a long bright stream that stretched right over my head almost all the way down to the faint glow of amber from the city lights in the distance. During the next hour, I saw 8 more shorter bursts of lights throughout the sky and got to gaze at many more constellations than I would normally see from my deck.

Christian lore calls the Perseid meteor showers "Saint Lawrence's tears" because they always appear around August 10, Saint Lawrence the Martyr's feast day. Others refer to them as the shower of gold in which the Greek god, Zeus, appeared to the human, Danae. Their encounter resulted in the birth of Perseus. The divine descends to meet the human. Sound familiar?

Friday, August 03, 2007

Call of the Drum Retreat - August 10-12, 2007

My friend, Antonio Davidson-Gomez, is one of the best liturgical percussionists I know! Below is information on a retreat he is facilitating in northern California.

Call of the Drum:
Percussion in Sacred Traditions Across Cultures
August 10-12, 2007
Mercy Center, Auburn, California

Registration and information


Set in the oak-studded Sierra foothills outside Sacramento, we will explore the use of drums and percussion in the sacred traditions of several different cultures, as well as participate in hands-on practice of good hand drumming techniques. The retreat is designed to help individuals build their own drumming practices informed by respectful exploration of traditional approaches.

It is an ideal weekend of workshops for liturgical percussionists, music/liturgy directors, vocalists/instrumentalists doubling on percussion, or anyone interested in integrating music in her personal spiritual life. No experience is necessary and instruments will be available to use and/or purchase.

Antonio will use his near-20 years of experience “percussing” for diverse faith communities, and his fieldwork in Latin America and the Mediterranean to inform our study of frame drums and barrel drums (congas, djembes), as well as colorful interpretation of rattles, bells, blocks, chimes, and other percussion. A highlight of the weekend will be a program of sacred texts and music dedicated to Mary from different corners of the globe.

Register directly at the Mercy Center website or contact Antonio for more information at tamborlandia[at]hotmail[dot]com or (510) 484-5168.

Confirmation 2008 for the Diocese of San José

M E M O R A N D U M

TO: Confirmation Coordinators
FROM: Patricia Allen, Secretary to the Bishop
DATE: June 25, 2007
SUBJECT: Confirmation 2008


Next year, Easter Sunday falls on March 23rd. Pentecost Sunday will be May 11th. Clergy Study Week takes place the week of May 12-16, 2008.

During the 2008 Easter Season, Bishop Patrick McGrath and Msgr. Francis Cilia will be available to celebrate the Sacrament of Confirmation. Once a majority of the date requests have come in, the schedule for Confirmation and the celebrant will be determined.

Please know that the deans (Vicars Forane) and all the Vicars are also able to confer the Sacrament of Confirmation. In addition, Bishop McGrath is always very happy to grant to a Pastor, upon request, the delegation to confirm.

Here are some reminders:

  1. It is always greatly appreciated when parishes join together for the celebration of the Sacrament of Confirmation, either at the Cathedral or at a designated parish church.

  2. Please submit three (3) date requests, listing them in order of preference. We will do our best to accommodate your requests.

  3. To the extent that it is possible, calendar requests for Confirmation will be handled on a first-come, first-serve basis. It is my hope to have the Confirmation schedule ready by early September.

  4. For those parishes with a confirmation group of less than thirty candidates, please join with another parish.

  5. The following Saturday mornings have been reserved at the Cathedral Basilica of Saint Joseph for the 9:30 a.m. celebration of the Sacrament of Confirmation:
  • March 29, 2008
  • April 12, 2008
  • April 19, 2008
  • April 26, 2008
  • May 10, 2008.

Click here to downloard the form to Request the Celebration of Confirmation with Bishop McGrath (Word doc).

Please submit request/s-by fax, regular mail, or e-mail as soon as possible to:

Pat Allen
Diocese of San José
900 Lafayette Street, Suite 301
Santa Clara, CA 95050-4966
FAX: 408-983-0200
Email: allen[at]dsj[dot]org

Thursday, August 02, 2007

Classifieds (outside of Diocese): Diocesan Worship and Sacrament Coordinator

Position Available: Worship & Sacrament Coordinator - Evangelization & Worship

Under the supervision of the Director of Worship & Sacrament Director, this full time position is responsible for acting as a resource for parish liturgies, planning for Diocesan liturgical programs, assisting with coordination of Episcopal liturgies for the diocesan bishop and overseeing sacramental formation for the Sacraments of Initiation, Reconciliation, Anointing and the RCIA process throughout the Diocese of Green Bay.

The ideal candidate has a Master's degree in Theology with a concentration on liturgy and sacraments, plus a minimum of five years experience in the field in a related parish or diocesan position. Must have experience in sacramental preparation, with particular attention on the Sacraments of Initiation and the Rite of Christian Initiation of Adults and Children (cf. RCIA and RCIC). Preference is for person with musical ability and a good knowledge of sacred music in the Catholic Church. Must have good working knowledge of applicable Church documents on liturgy, the rites and Sacraments of Initiation, Reconciliation, Anointing of the Sick and RCIA, particularly such documents as Sacrosanctum Concilium, the Rite of Christian Initiation of Adults, the General Instruction of the Roman Missal, Liturgiam Authenticam; Redemptionis Sacramentum; Ecclesia de Eucharistia (On the Eucharist in Relationship to the Church), and Sacramentum Caritatis. Requires candidate to be a practicing Catholic and a registered member of a Catholic parish. Must have a valid driver's license.

If interested, please send cover letter and resume to Barbara Wiegand, Human Resources Coordinator, P.O. Box 23825, Green Bay, WI 54305-3825 or e-mail resume to bwiegand@gbdioc.org.

Friday, July 20, 2007

Criteria for Music

Question 239 in the Compendium of the Catechism of the Catholic Church (Libreria Editrice Vaticana, 2005) asks: "What are the cirteria for the proper use of singing and music in liturgical celebrations?" Referring to paragraphs 1156-1158 and 1191 in the full text of the Catechism, the Compendium says:

Since song and music are closely connected with liturgical action they must respect the following criteria. They should conform to Catholic doctrine in their texts, drawn preferably from Sacred Scripture and liturgical sources. They should be a beautiful expression of prayer. The music should be of a high quality. Song and music should encourage the participation of the liturgical assembly. They should express the cultural richness of the People of God and the sacred and solemn character of the celebration. "He who sings, prays twice" (Saint Augustine).
From Pastoral Music Notebook, July 2007

Vatican II and the Laity

Although Vatican II formally ended on December 8, 1965, its implementation continues.

Paulist Press (997 Macarthur Blvd., Mahwah, NJ 07430) has commissioned a series of eight short books on Vatican II. Each considers two Vatican II documents in the context of the thinking leading to Vatican II, of controversies during Vatican II, and of programs, publications and experience since Vatican II.

The Laity and Christian Education by Dolores Leckey (Paulist Press [2006]; $14.95) focuses on Vatican II's Decree on the Apostolate of the Laity and its Declaration on Christian Education.

In a sense Vatican II in its entirety can be considered a "Council of the Laity," says Leckey of Woodstock Theological Center (Georgetown University, PO Box 571137, Wahsington, DC 20057; http://woodstock.georgetown.edu/). That's despite a strong attitude in the church exemplified by a bishop's remark at Vatican II: I looked up the word layman in a theological dictionary, Leckey quotes the bishop, "and found that the entry said see clergy."

In the Decree on the Apostolate of the Laity and elsewhere Vatican II "turns to the laity" precisely because we are the church in the worl. Society's institutions are, says Vaticn II, basically good. Of course, as Leckey notes, Christians cannot uncritically embrace the advances of society because sin "has not disappeared from the face of the earth."

And so, the challenge of lay people is to soldily grasp the teachings of Vatican II and to move the world closer to "health and new life" in Christ.

From Initiatives In Support of Christians in the World, Summer 2007, www.catholiclabor.org/NCL.htm

Sunday, July 15, 2007

Sample Intercessions for Weddings

Prayers of the Faithful for Marriage

The following are just samples meant to inspire your work. Use them as ideas for your own assembly's intercessions. Read 10 Principles for Writing Intercessions and How To Write Intercessions to help you write your own.

Note: These were actual intercessions used at a wedding in which the readings were Romans 8:31-39 and Matthew 6:25-34.

Presider:
Nothing can separate us from the love of God in Christ Jesus.
Therefore we boldly lift our prayers to God who is love.

Reader:
For the Church,
for fidelity in proclaiming the gospel,
for faith in good times and in bad,
for unwavering commitment to unity [pause]:
May God’s people never cease to profess boundless love for all God’s own.
We pray to the Lord.

For the world and all peoples,
for those without food, shelter, or clothing;
for those without meaningful work or meaningful relationships;
for those without hope, joy, or peace [pause]:
May we be a word of comfort for them and a sign of Christ’s abundant love.
We pray to the Lord.

For our families and friends,
for those gathered here and those far away,
for those united in love many years and those just beginning,
for those we love and those we struggle to love [pause]:
May Christ deepen our bond to each other in God’s strong embrace.
We pray to the Lord.

For N. and N. and all who begin married life today,
for peace in times of chaos and confusion;
for generosity when there is little to give;
for faith in each other and love beyond reason [pause]:
May their lives be a sacrament of Christ’s irrational,
irresistible, and invincible love for us all.
We pray to the Lord.

For those in need of healing, for those nearing death,
for loved ones who have died, and for all who need our prayers,
especially those we now name out loud
[pause for assembly to call out names]:
May nothing ever separate us from the love of God through Christ.
We pray to the Lord.

Presider:
Faithful God, you are ever for us,
giving us only good things and filling our every need.
We place our hope in you alone.
As we have heard your voice in the Word,
and seen your love made visible in this couple,
so make us now your life-giving presence for the world,
and fill us with your unfailing Spirit of love,
that the prayers we have offered may come to fulfillment in you.
We ask this through Christ our Lord. Amen.

Thursday, July 12, 2007

Classifieds: Do you have a Portuguese Bible to donate?

A woman in one of our local prisons is in need of a Portuguese paperback copy of the New Testament or complete Bible. If you have one you would like to donate, please contact Rosa Melendez at 408-983-0125.

Friday, July 06, 2007

Catholic Charities Job Fair - July 12

Catholic Charities of Santa Clara County will be holding a Job Fair on July 12. Catholic Charities of Santa Clara County is seeking energetic, motivated individuals for careers that promote compassion, service, and justice. The location is the John XXIII Multi-Service Center, 195 E. San Fernando Street, San Jose, 10:00 a.m. – 3:00 p.m. and 5:00 – 8:00 p.m.

For more information, call (408) 468-0100 or go to http://www.ccsj.org/.

Dinner for Darfur - July 15

In connection with Mission Sunday, the Social Justice Committee at St. Catherine’s parish is hosting a fund raiser for Darfur on Sunday July 15th at 7:00 p.m. in the Parish Center. Tickets are $25.00 prepaid/$30.00 at the door. Speaker is Silvestro Ahara Bakheit from the Sudan and all proceeds will go towards the mission collection.

For tickets contact Deepu at homedeepu@yahoo.com or call Ann at (408) 892-9476.

Tuesday, July 03, 2007

Our Lady of Refuge – July 5

OUR LADY OF REFUGE
PATRONESS OF BOTH CALIFORNIAS


Brother John M. Samaha, S.M.


Our Lady of Refuge, Nuestra Señora del Refugio, is Patroness of Both Californias (Ambas Californias).

The Franciscan missionary Francisco Garcia Diego y Moreno was the first Bishop of the Californias – Baja California (lower California in what is now Mexico) and Alta California (upper Calfornia in the present U.S.A.). It was he who proclaimed Nuestra Señora del Refugio, Patrona de las Ambas Californias. The official proclamation was made by Bishop Garcia Diego on January 4, 1843, at Mission Santa Clara in Alta California.

The Episcopal Proclamation
The entire text of Bishop Garcia Diego’s declaration is recorded in Mission Santa Clara’s Libro de Patentes. After citing the early Fathers of the Church on the practice and spiritual benefits of naming patrons saints, the first bishop of the Californias stated: “We make known to you that we hereby name the great Mother of God in her most precious title, ‘del Refugio,’ the principal patroness of our diocese…. With so great a patroness and protectress, what can we not promise ourselves? What can be wanting and whom need we fear?

“If through the centuries this most worthy Mother of God has shown goodness and compassion to all peoples and nations…will she not do likewise for those peoples who bind themselves to her as their refuge and special patroness?”
All California missions, and the parishes established later, celebrated this patronal feast with great solemnity. In the many political and historical shifts, interest in celebrating the feast had waned. But now the feast is attracting fresh attention.

The Liturgical Feast
In 1981 the California Catholic Conference of Bishops petitioned the Vatican Congregation for the Sacraments and Divine Worship for authorization to observe the feast of Our Lady of Refuge on July 5 as an obligatory memorial. This was approved by official document dated January 15, 1982, and signed by Archbishop Giuseppe Casoria.

The dioceses of Baja California celebrate this patronal feast on July 4. Because of Independence Day, the dioceses of Alta California chose July 5, and the memorial is listed for that day in their Ordo. The feast of Our Lady of Refuge (sometimes called Our Lady, Refuge of Sinners) has its own proper prayers for the Eucharistic Liturgy and the Liturgy of the Hours.

Over the last century and a half the original Diocese of Ambas Californias has been divided many times on both sides of the border as the local Church has grown. Until the end of the nineteenth century the priests of the Archdiocese of San Francisco prayed a special liturgical office for the feast of Our Lady of Refuge. In the Diocese of San Diego the feast has always been observed.

The renewal of interest in this Marian feast honoring the patroness of the Golden State was stimulated by the 1987-1988 Marian Year observance and Pope John Paul II’s encouragement to revitalize interest in special, local feasts of the Virgin Mother Mary.

The Image
The entire coat of arms of Bishop Garcia Diego included only the image of Our Lady of Refuge. A painting of Our Lady of Refuge holding her Child, usually the product of a local or native artist, graced each mission church after the bishop’s proclamation. To this day most of the twenty-one missions of Alta California still display this image in the churches or in their museums.

The original painting of Our Lady of Refuge came to the Franciscan College of Zacatecas in Mexico from Italy. An Italian Jesuit missionary brought it to Mexico to explain the enthusiastic interest in Our Lady, Refuge of Sinners, that had developed in parish missions in eighteenth century Italy. Devotion to the Mother of Jesus under this title and in this pictorial representation gained wide popularity among the Mexican and Californian Franciscans and the people they served.

Paintings of Our Lady of Refuge are, with few exceptions, quite similar in design and execution. The heads of the Infant Jesus and his Mother Mary lean together with no background between them. Both figures wear a crown. Mary’s eyes are turned toward the observer, while the gaze of the Child seems to turn left of the viewer.

In the Santa Clara Mission church the painting of Our Lady of Refuge is found above the larger picture of Our Lady of Guadalupe in one of the side altar niches on the left as one nears the sanctuary. Another painting by Eulalio, a local Native American, is on display in Santa Clara University’s De Saisset Museum near the mission church.

Other known and attractive portrayals of Our Lady of Refuge are found at Mission Santa Barbara, Mission San Carlos Borromeo at Carmel, Mission San Francisco de Asis, and Mission San Luis Obispo de Tolosa.

The proper name, Refugio, was and still is given to both male and female Mexican children at the time of birth and baptism.

Church historians and native Californians applaud the move for restoring the Patroness of Both Californias to her original and rightful prominence in the local Church’s liturgical calendar.

A Pauline Year, Bro. John Samaha, SM

TO HONOR THE 2000th BIRTHDAY OF ST. PAUL THE APOSTLE: On the eve of the feast of Sts. Peter and Paul, June 28, Pope Benedict XVI proclaimed a Pauline Year to honor St. Paul in preparation for the 2000th anniversary of the great apostle’s birth. Church historians reckon that St. Paul was born about 10 A.D. in Tarsus, now located in present-day Turkey. Following his conversion to Christianity Paul became the Church’s foremost evangelizer in spreading the gospel among the Jews and the Gentiles. The Pauline year will run from June 29, 2008, to June 29, 2009, to highlight St. Paul’s contribution to the spread of Christianity in the first century. On his first official venture outside the Vatican in April 2005, Pope Benedict XVI visited the Basilica of St. Paul Outside the Walls in Rome to pray at the tomb of the great apostle and to honor his missionary legacy. At that time the pope reflected that “The Church is by nature missionary; its primary purpose is evangelization. In the beginning of the third millennium the Church feels with renewed strength that Christ’s missionary effort is more pressing than ever.” St. Paul, the zealous missionary and astute letter writer, is an outstanding model of evangelization for us.

Classifieds: Piano Available for Donation to Non-Profit

Someone would like to donate a vintage Janssen piano to a charitable organization such as a church or school. The piano is in very good working order. They can deliver the piano if the organization is in the South Bay Area, and the piano does not have to be lifted up a flight of stairs. Please email hscarabosio@yahoo.com, or call (408) 859-6408 if you are interested.

Tuesday, June 26, 2007

Singing Bowls: A Wordless Call

This article by Diana Macalintal first appeared in Simple Gifts, Vol. 7, No. 1, February-March 2001.

from carousel-music.comSo much of the Western culture is based on words and speech, and sometimes we saturate our liturgies with words thinking that verbal explanation and direction are more effective than sound, color, and gesture. Yet imagine these two scenarios. Both take place at a Sunday morning Mass in Lent. Both Masses are packed, many are children. People are gathering in the church, many greet each other catching up on the week’s events, some spend time in quiet prayer, parents settle into the pews with their children, the choir finishes up the last moments of rehearsal. The cantor begins to rehearse the psalm with the assembly, half of whom are still trying to find a seat. Most aren’t paying much attention to the rehearsal. From all this activity, the Mass must begin.

Now, in one scenario, the cantor instructs the assembly to stand, repeating the instruction a few times before the whole assembly hears the direction. People flip through the hymnal searching for the opening song. The music begins, the singing is weak, the procession is hurried, and hearts and minds have not yet begun to gather.

In the second scenario, the cantor steps away from the mic and stands quietly for a full minute. Then she moves slowly but confidently to the front of the assembly where all can see her. She is joined by another music minister who stands next to her holding a small golden bowl. They wait again there, slowly making eye contact with as many people in the assembly as they can. Then without a word, they both raise their arms in a giant sweep beginning from the side of their legs and slightly forward to just above their shoulders, all the while maintaining eye contact and a gentle smile. The assembly stands. The cantor lowers her arms while the music minister raises the golden bowl higher for the whole assembly to see. In his other hand he holds a short wooden stick. After another thirty seconds of silence, he brings the stick to rest at the side of the bowl in preparation to strike it. He waits another thirty seconds before he strikes the bowl. A pure clean piercing bell tone sounds throughout the room. After a few heart beats, he strikes it again and finally a third time. He slowly lowers the stick as he lets the bowl resonate and the sound drift away. When the tone is almost inaudible, the cantor begins a cappella, “Jesus, remember me, when you come into your kingdom….” The assembly easily picks up the song on the second phrase since it has been their lenten gathering song for all the Sundays of Lent for the last couple years. The choir adds harmonies while a Celtic drum gives a steady downbeat. Every other refrain the golden bowl is struck again on the first down beat, offering its own unique voice to the choir.

from tibet-bazaar.comIn both scenarios, the assembly was called to worship, but in which did the assembly feel gathered together? While the first relied on verbal direction and visual cues from the hymnal to gather the assembly, the second used silence, sound, gesture, eye contact, and memory to unite people’s hearts and minds.

The second also used an instrument called a “singing bowl”, traditionally employed in Buddhist prayer and healing services. Singing bowls come in a variety of sizes, from as small as two to three inches in diameter to large flowerpot sizes. In Tibetan tradition, they are usually made of seven different metals corresponding to the heavenly bodies: gold for the Sun, silver for the Moon, mercury for the planet Mercury, copper for Venus, iron for Mars, tin for Jupiter, and lead for Saturn. The sounds they make are used to purify spaces (the larger ones are even used to purify whole villages), to heal the body, and to calm and center a person for meditation.

There are two ways to play a singing bowl. In both methods, the bowl must be free from anything that would unnecessarily dampen its vibration. So the bowl would rest in the palm of your hand or on a small cushion. If in your palm, do not cup the bowl, but hold your palm flat, or use just your fingertips to balance the bowl.

In the first method of playing, the bowl is struck on its side with a wooden stick. The tone produced is clear and piercing. But every bowl will have its own unique sound, based on size, shape, and quality. Also, the type of stick you use will affect the sound. Some sticks are wrapped in leather or felt, producing a softer attack. Finally, the tone will change dramatically depending on the force used and the location on the bowl of the strike, for example on the rim or just below the rim.

from everyculture.comIn the second method of playing a singing bowl, the wooden stick is rub around the rim of the bowl, in the same way a person would rub the rim of a wineglass. For this method, holding the bowl on the tips of your fingers may work best. Rub the stick around the rim of the bowl, keeping the stick slightly angled inward, and use a steady, even pressure toward the center of the bowl. It will take more pressure than you expect to get the bowl singing. As you do this you will feel the bowl begin to vibrate and the sound will start to come out. If the bowl begins to “chatter”, decrease the rate of the movement while keeping the pressure constant. The slower the pace, the louder the tone. If you have trouble getting the vibration started, gently tap the bowl with the stick, then begin to rub the stick on the rim of the bowl. This second method produces a deeper tone than striking the bowl. It also can accentuate the harmonics of your bowl, so that you may hear several pitches. Because of the deeper tone, it may be quieter and may need a microphone to fill an entire church.

Many communities have begun to use these instruments to start their Masses and other liturgies. The unique tone centers and calms the assembly and focuses their attention on the ritual. However, as we saw in the opening scenarios, other “non-verbal” elements can help to make the use of a singing bowl more effective.

Look at how you gather your assemblies. How do you give instructions? Do you say, “please stand” when a solid gesture would be enough? Do you creatively use percussion instruments, such as bells, gongs, singing bowls, and hand drums? Do you remember to poise yourself confidently, using eye contact and large strong movements to communicate? Do you rely too much on printed text and not enough on repetition, mantras, and ostinato chants learned from memory? Let’s take a non-verbal cue from other cultures and learn to speak without words.

Click here for some tips on purchasing a singing bowl.

Classifieds (outside of Diocese of San José): Diocesan Liturgy Office Director

Position Available:
Liturgy Office Director, Diocese of Salt Lake City

The Diocese of Salt Lake City is seeking a Director for the Office of Liturgy to assist the bishop, clergy, and parishes in fostering sound liturgical practice throughout the diocese. The Office of Liturgy collaborates with the Liturgical Commission and its three subcommittees in providing resources and catechetical and formational programs aimed to promote full, active, and conscious participation in the liturgical life of the Church throughout the diocese.

Qualifications:
  • Master’s degree in Liturgical Studies or equivalent,
  • A practicing Catholic imbued with an understanding and appreciation of the Church’s theology, principles, rites, and practices,
  • Familiarity with current liturgical documents and ritual texts,
  • Experience as a parish liturgy coordinator or diocesan director or equivalent,
  • Multi-cultural sensitivity; ability to understand, speak, and read Spanish very helpful,
  • Pastoral, organizational, and administrative skills,
  • Ability to travel to parishes throughout the state of Utah.

If interested submit resume and letter of intent to:

Liturgical Commission Search Committee
c/o Rev. Colin F. Bircumshaw
Diocese of Salt Lake City
27 C Street
Salt Lake City, UT 84103
FAX (801) 328-9680

Monday, June 18, 2007

Liturgical Decoder

Every organization or institution develops its own jargon, its own code or shorthand for complex ideas and operations. The Catholic Church is no different from other organizations in this respect, and pastoral musicians working in the Church even have their own jargon subset. To help newcomers sort through the code words, NPM has prepared a "Liturgical Decoder." Check out this new aid, and if you have other "code words" to add, send them to npmedit[at]npm[dot]org.
- from NPM Notebook, March 2007

Strong Identity, Less Commitment

A team of sociologists has prepared American Catholics Today: New Realities of Their Faith and Their Church, due to be published in late March by Rowman and Littlefield. The book analyzes results from Gallup surveys conducted between 1987 and 2005.

One set of findings concerns the faith and practice of the "millennial generation," that is, Catholics born after 1979. At a Woodstock Forum, held on February 6 on the campus of Georgetown University, two of the researchers described the differences between the members of the millennial generation and older generations of Catholics. According to James A. Davidson of Purdue University and Dean A. Hoge of the Catholic University of America, the current group of young adult Catholics in their twenties feel a "disconnect" between themselves and the institutional Church. And when they get older, according to Davidson, they are not likely to become more deeply involved in Church life, as Catholics did in previous generations: "They are going to be the Catholics they are now." This disconnect may be made worse, according to Hoge, by the fact that young diocesan priests who are and will be serving this generation are moving in the opposite direction, becoming stricter about Church teaching and more focused on a "cultic" rather than a "servant-leader" model of priesthood.

Despite this feeling of being dicsconnected, young adult Catholics have a strong sense of Catholic identity, according to the survey results. Davidson explained: "Belonging is not a problem; they feel comfortable calling the Church home...It's believing that's the problem." He said that young adult Catholics see Church leadership as having "no credibility, no plausibility, no authority...They practice their faith by caring for other people."
- from NPM Notebook, March 2007

Monday, June 11, 2007

What is a Wiki?

Love this! Wikis in plain English.



This is Not Your Father’s PowerPoint: Using Technology for Parish Formation

This extended version of an article by Diana Macalintal originally appeared in Today's Parish Minister, Vol. 39, No. 4, April/May 2007.

Don’t freak when I say that PowerPoint is passé. The bad news is that the one-way flow of information that presentation-based technologies embody, such as PowerPoint and static Web sites, has stagnated. The good news is that what people are doing with technology today is more intuitive and natural and doesn’t require you to download a manual or consult an animated paperclip in the corner of your monitor. The shift can be likened to a blackboard or your favorite hang out.

In “the old days” of the Internet, the World Wide Web was a place to gather information. An expert “out there” provided the data I needed. Just download the information, and go on your way. In church culture, it’s similar to the idea of memorize the correct answer, fulfill the required number of hours, and get your sacrament. Fast. Quick. Done.

In Web 2.0, the expert is a facilitator or conversation-starter who presents a question or issue, writes it down on a blackboard, and gives everyone a piece of chalk and an eraser. Everyone adds their own thoughts on the topic and shares their own experience, while the facilitator moderates the conversation. The group helps interpret, correct, and nuance the collective information. They verify theory against lived experience and challenge them when either falls short. There is informality in the interaction, as in intimate conversations with friends at the coffee shop, because the goal is not to download an answer from an expert but to discover the answer through full, conscious, and active participation in a group. Thus, a new kind of community is formed, creativity is fostered, conviction is expressed, and new thought and insight occur, gained through adult learning. This model of technology finds similarities in the catechumenal model of formation.

2.0 technology can be used for forming those directly involved in the parish, such as catechumens, sacramental preparation parents and candidates, liturgical ministers, parish staff and councils. These groups might use technology to stay connected in between gatherings or to enhance their face-to-face meetings. They could use it to share information, maintain a group calendar, keep common records, have access to shared files, and discuss issues relevant to the group’s purpose. They might also use technology to offer support to each other when they cannot be together in person.

Forming these persons requires not only sharing information but also engaging in conversation. One medium that facilitates this is a wiki, an easily editable website (“wiki” means “quick” in Hawaiian). Anyone who uses a word processing program, like Microsoft Word, can quickly add content to a wiki. Groups use wikis to collaborate on projects, participate in online discussions, share files, and learn from each other. Teachers have begun to use wikis in the classroom to enhance students’ learning and facilitate cooperation.

The difference between a wiki and a static Web site (where the content stays the same) is that not only can everyone read the content but they can also add, edit, and correct it. (Wikis can also be made private so only members can access and edit it.) Through a wiki, the group can continue a discussion after the parish meeting has ended, allowing people to participate according to their own schedule. It enables more even participation since no one person can dominate the conversation unless the other members refuse to participate. Wikis are great for introverts or those who process better through writing. See an excellent video defining wikis in plain English.

Giving up control of the content and letting the group drive the discussion require trust among all the members. Yet this is catechumenal at its core. This kind of sharing lets the group recognize the workings of God present in each person, respect diverse experiences, gently challenge each other, and help each other discern the movement of the Spirit.

You might also use other Internet-based sites, such as blogs or Web pages, to list resources where people can act upon their newly-discovered insight. For example, the parish Web site can list local organizations in need of volunteers. The parish blog can be where parishioners ask for prayers, share faith stories, or respond to a question of the week. The parish home page could have links for seasonal prayers, blessings, or recipes for families to use in their homes.

Technology can also enhance in-person gatherings. For example, a group can clarify its thoughts in a communal way by using a laptop and an LCD projector during a meeting. The facilitator or scribe can summarize each person’s comments which are projected on a wall. Not only does this allow for more careful discussion and group collaboration, but it also provides an immediate record of the discussion, saved into a word processing document or even directly onto the group’s wiki. Click here to see a video about this process.

However, don’t rely completely on Web sites and email for your technological approach to formation. Most young adults, especially those under age 25 communicate primarily using IM (instant messaging) and cell phone text messages. Imagine if each parish leader had a parish IM screen name that was publicized in the bulletin and parish Web site. Online IMs can then be used for quick messages among parish group members or for giving real-time assistance to those seeking a live person. Imagine if the pastor or youth minister sent short text messages, such as daily prayers or affirmations, to the cell phones of those in the youth group. Now that’s church spreading the word in a new way.

There’s a Twilight Zone episode about a factory manager who replaced his employees with machines until he himself was replaced by a robot. “The Brain Center at Whipple’s” exemplified the fear that technology would replace human interaction and eventually take over. Yet, in the very same year Rod Serling’s gloomy prophecy was aired, Vatican II promulgated Inter mirifica, the Decree on the Means of Social Communication (1963), stating: “The Church, our mother, is particularly interested in those [technical inventions] which directly touch [humanity’s] spirit and which have opened up new avenues of easy communication of all kinds of news, of ideas, and orientation. Chief among them are those means of communication which of their nature can reach and influence not merely single individuals but the very masses and even the whole of human society” (1).

Thirteen years later, Pope Paul VI would write that “the Church would feel guilty before the Lord if she did not utilize these powerful means that human skill is daily rendering more perfect” (Evangelii nuntiandi, 45). The danger to the church lies not in technology but in not using it to its fullest to form God’s people. Web 2.0 has shown that technology can foster deeper human interaction and conversion to new ideas through wise use of social networking. If the church is to communicate God’s word to a generation that embraces virtual human interaction, it will have to dramatically strengthen both its approach to formation and its evangelization efforts beyond the parish walls, wisely utilizing the gifts of this new age.

Diana Macalintal is the director of worship for the San José diocese and holds an MA in theology from Saint John’s University, Collegeville, Minn.

Using Web 2.0 as an Evangelization Tool

This article by Diana Macalintal originally appeared in Today's Parish Minister, Vol. 39, No. 4, April/May 2007.

2.0 technology can be used with those who are not part of the parish: inquirers, persons estranged from the church, the local neighborhood, other faith communities. The way the parish leadership treats “outsiders” and their efforts at building relationships teaches a powerful lesson to those on the “inside.” God’s essence is to be constantly communicating with all persons—to be self-revealing and in relationship with humanity.

Start with the parish Web site. If an “outsider” went to your home page, would they immediately feel welcomed and invited to become an “insider” of your parish? They will if:
  • They can find your church’s complete address and phone number on every page.
  • They understand you because you avoid church lingo that only “insiders” understand, such as “RCIA” and other acronyms, and you list room names for meetings and provide a map of your church grounds showing where these rooms are located.
  • They find clear links on your home page if they want to become Catholic, learn more about the Catholic Church, or become more involved in your parish, and they easily find the name, email address, and telephone number of a person to contact to take the next step.
  • They can quickly see your upcoming holy day schedules, especially for Christmas, Holy Week, and Ash Wednesday when they are searching for a church to attend.
  • They see pictures of parishioners who look like them (important for young adults), they can read or listen to podcasts of recent homilies, and they find consistent language on every page inviting them to participate.


Tuesday, June 05, 2007

Classifieds (outside of Diocese of San José): Diocesan Director of Liturgy

Position Available: Diocesan Director of Liturgy
The Diocese of Fort Worth, Texas seeks a full-time Director of Liturgy. The Director of Liturgy is responsible for assisting the bishop, clergy and parishes of the Diocese of Fort Worth in attaining full, active, and conscious participation in the liturgy of the Church. Principal duties include: Knowing the liturgical documents and norms, the rites with their praenotandae, and learning the preferences of the bishop in matters of choice; serving as resource to clergy, parish staff, and others on liturgical practices, implementation and application of Liturgical norms and diocesan sacramental (liturgical) guidelines; and providing continuing liturgical education for clergy and liturgical ministers, particularly in understanding documents and instructions of the Church concerning worship, e.g. the diocesan organization for liturgy directors, coordinators, and music directors.

Qualifications include a Master’s Degree in Theology, Liturgical Studies or a closely related field of study, prior experience in diocesan or parish liturgical work, and applicants should be bilingual (English/Spanish) in speaking, reading, writing and understanding. For a full job description and application, visit www.fwdioc.org.

If interested, e-mail a résumé to msimeroth@fwdioc.org or fax to (817) 244-8839, to the attention of Mark Simeroth, Director of Human Resources. Application due date is July 15. Qualified applicants will be contacted for an interview.

Thursday, May 31, 2007

Classifieds: From the FDLC National Office

Associate for Liturgical Music (SAGINAW)
The Cathedral of Mary of the Assumption and the Catholic Diocese of Saginaw (www.saginaw.org) seeks an Associate for Liturgical Music serving in a dual capacity at the Cathedral and the diocesan Office of Liturgy. Major responsibilities include planning, preparing and coordinating the music for all Cathedral and Diocesan liturgies in collaboration with the newly established Cathedral Pastoral Team and the Office of Liturgy Staff. Requires proficiency in organ, piano, and conducting cantors, Cathedral and Diocesan choirs and instrumentalists; and experience in pastoral/liturgical music and Roman Catholic liturgy (both parochial and episcopal). Submit academic credentials, resume, references and salary requirements to: Catholic Diocese of Saginaw, Attn: Human Resources, 5800 Weiss St., Saginaw, MI 48603-2799.

Friday, May 04, 2007

Electronic Waste Collection - May 12, 2007

ASL Company is providing for the collection of E-WASTE sponsored by the San Jose Elks lodge.

Electronic Waste Collection
Saturday, May 12, 2007
9:00a – 4:00p
444 West Alma Street, San Jose


Hispanics Reshaping U.S. Catholic Church

A New York Times article from April 25, 2007, discusses a new study, conducted by the Pew Hispanic Center and the Pew Forum on Religion and Public Life, which found that “half of Hispanic Catholics practice a 'distinctive form' of charismatic Catholicism that includes speaking in tongues, miraculous healings and prophesying — practices more often associated with Pentecostalism.”

The article continues: “Roberto Suro, director of the Pew Hispanic Center, said in an interview, 'There are several measures on which Hispanic Catholics look different than your basic white suburban Catholics. They are different in terms of beliefs, practices, language and culture, but they remain very Catholic. The open question here is, Does the institution adapt to them, or do they adapt to the institution?'”

Click here to read more.

Classifieds: Seek and Ye Shall Find - outside of diocese of San Jose

Cathedral Organist
Cathedral of Saint Joseph, Wheeling, West Virginia, has a full-time opening for Cathedral Organist to play at three Sunday liturgies (6:00 p.m. Sat. and 8:00 and 10:30 a.m. Sun.), four weekday liturgies (12:05 p.m. Mon.-Fri. and 9:00 a.m. Sat.), all diocesan liturgies, and to accompany the Cathedral Choir. Additional responsibilities include holy day Masses, reconciliation services, other sacramental celebrations, and assistance with building a concert program. Weddings and funerals extra. Oversee maintenance of Casavant 49-rank organ with gallery and chancel consoles and a Baldwin grand piano. BA in organ performance, MA preferred, and thorough familiarity with the Roman Rite. Must be skilled in the performance of organ repertoire, improvisation, and service music. Competitive salary and benefits. E-mail letter of intent with resume to Very Rev. Kevin M. Quirk, JCD, Rector, by July 31, 2007.


Director of the Office for Pastoral Liturgy
The Roman Catholic Diocese of Cleveland is seeking a full-time Director of the Office for Pastoral Liturgy. The director’s primary function is to assist the Bishop in his role as “chief steward of the mysteries of God and the overseer, promoter, and guardian of the liturgical life” of the Church in Cleveland. On behalf of the Bishop, the director’s principal responsibility is the formation and preparation of liturgical ministers and liturgical committees, specifically, as the coordinator of the work of the Diocesan Liturgical Commission (an advisory group composed of pastors, liturgists, musicians, artists, architects, and directors of RCIA); a resource person to Diocesan parishes and institutions as well as Diocesan staff and Offices, handles correspondence for the Bishop dealing with liturgical matters; oversees the implementation of Built of Living Stones in the building and renovation of churches and chapels; maintains contacts with the Bishops’ Committee on the Liturgy of the USCCB; acts as the primary liaison to the Federation of Diocesan Liturgical Commissions.

Further, the director is responsible for the programming of the Office, including but not limited to: short and long-range planning concerning Liturgy and the Rites of the Church; educational (catechesis and mystagogy) programming concerning liturgical books and the Rites of the Church. As to the RCIA, the director coordinates the implementation of these Rites in parishes as well as the formation of RCIA ministers and teams. Finally, as an administrator, the director coordinates the staff, including a full-time Administrative Assistant and a part-time Diocesan Music Consultant; prepares and administers the Office budget; oversees the preparation of all Diocesan liturgies when requested; attends meetings of the Parish Life Secretariat Directors (of which it is a part) and other Diocesan groups as needed.

The candidate should have experience in Roman Catholic Liturgy and a master’s degree in Liturgy, theology or related field.

For further information or to submit a résumé, please contact: Donna Speagle, Human Resources Director, Catholic Diocese of Cleveland, 1404 East Ninth Street, Cleveland, Ohio 44114. The deadline for application is 31 May 2007.


Director of Music Ministries
Immaculate Conception Parish, Chicago, is currently seeking a Director of Music Ministries. The parish would like to fill the position as quickly as possible. Submit inquiries or application materials to the pastor (see parish website for information).

Job Description

I. Position Title: Director of Music Ministries and Organist at Immaculate Conception Church, Chicago, Illinois.

II. The Overall Goal for the Director of Music Ministries is: To assist assembled believers to express and share the gift of faith that is within them, and strengthen their interior commitment of faith through music. Using his/her administrative, liturgical, musical, pedagogical and pastoral skills, he/she will effectively plan, coordinate, execute, and evaluate all music for liturgical celebrations of the parish. With the cooperation and assistance of all the parish ministers in the church and school, the Director of Music Ministries will develop and realize a vision which supports the Gospel message through song and challenge the assembly to live that message more fully.

III. Duties and Responsibilities.

    Ministry of Worship - The Director of Music Ministries

      1. Provides music and musicians associated with worship at all Saturday and Sunday liturgies, major feast day liturgies, monthly grade school assembly masses, weddings, funerals and other special celebrations. These include:

        a. Eucharistic celebrations on 52 Saturdays/Sundays (4 per weekend), Ash Wednesday, Holy Thursday, Good Friday, Easter Vigil, Fourth of July, Assumption, All Saints Day, Thanksgiving, Immaculate Conception, Christmas Eve (3), Christmas Day (3), Mary, Mother of God.

        b. Additional celebrations for First Communion, Confirmation, School Parents Club Mass in May, School Graduation in June, Reconciliation (Advent and Lent), Anointing of the Sick (Spring and Fall), Parish Retreats or Missions, January Holy Hour for Life, Monthly Holy Hour (as needed).

        c. Grade School Assembly Masses (9 per year) at which a children¹s choir usually sings.

        d. Weddings (approximately 30 per year), Funerals (approximately 100 per year), and Anniversary and Memorial Masses (about 10 per year), all of which are paid for by the families or individuals requesting these services.


      2. Selects and plans music for all of the above celebrations utilizing worship resources which clearly reflect and enhance the theme(s) of the day and which deepen the liturgical and scriptural understanding of the worshipping assembly.

      3. Strives to increase sung participation of the parish community by introducing worship resources which are musically varied, technically accessible, and stylistically appropriate.

      4. Provides liturgical consultation to individuals in planning weddings (1 hour or more per couple or bi-annual Wedding Faire), funerals, anniversaries and memorial masses (1Ž2 hour each), and grade school liturgies (1 hour each mass).


    Ministry of Administration - The Director of Music Ministries

      1. Collaborates with the Pastor, under whose supervision, and with other members of the parish staff, integrates his or her own musical area of responsibility with the overall goals of the parish.

      2. Is responsible for all music associated with worship, religious education, social ministry, and evangelization in the parish.

      3. Selects and plans music (both short and long-term) in cooperation with the Liturgy Committee which meets monthly. Collaborates with other staff members to ensure appropriate music for all parish sacramental celebrations, and provides them with consultation and needed assistance.

      4. Orders music scores and worship materials and prepares same for use at rehearsals.

      5. Maintains a music library consisting of the following components:
        a. Choral Music (Parish Choir, Children¹s Choirs, Disciples of Rhythm), Handbell Music for bells and chimes, a director¹s copy file.
        b. Instrumental music for accompanying liturgy and hymns.
        c. Liturgically organized reference library of materials for future purchase.


      6. Provides input into the liturgical music component of the religious education program and parish school.

      7. Prepares worship aids for use in liturgies which may include monthly ³Family Masses,² Holy Week, and other special celebrations.

      8. Obtains copyright permission for materials printed in worship aids.

      9. Oversees maintenance of musical instruments and sound equipment:
        a. 51-rank Holtkamp pipe organ
        b. Kimball grand piano in sanctuary
        c. Schulmerich Carillon in sacristy
        d. Upright piano in Rectory Assembly
        e. Kurzweiler PC88 keyboard with powered mixer
        f. Wurlitzer Piano in School Hall (maintenance covered in school budget)
        g. Schulmerich English Handbells (3 octaves with accessories)
        h. Malmark Chimes (3 octaves)
        i. Various percussion instruments
        j. Mackie mixer, microphones and cables


      10. Relocates and sets up instruments/equipment used by music ensembles as needed.

      11. Schedules all parish musicians (paid assistant organist, volunteer choirs, volunteer cantors, guitarists, wind and string players), prepares typed schedules for choirs and cantors, and maintains up-to-date rosters of all parish music ensembles.

      12. Selects, hires, and supervises assistant and substitute organists/pianists. Contracts with outside musicians to provide professional services at special liturgies (Christmas, Easter, concerts, weddings, funerals, and other celebrations). Arranges for timely payment of each.

      13. Supervises volunteer director for Jr. Ringer Chime Choir.

      14. Arranges for substitute accompanists to play for liturgies when he/she cannot be present.

      15. Facilitates and assists visiting musicians/ensembles.

      16. Prepares and manages the budget for the parish music program in collaboration with the Pastor and Business Manager.


    Ministry of Education - The Director of Music Ministries

      1. Invites, motivates, trains, and directs all parish ministers of music (volunteer and paid).

      2. Provides liturgical formation, music education, and practical preparation for liturgical celebration for the following parish ensembles:

        a. Parish Choir, weekly rehearsal
        b. Handbell Choir, weekly rehearsal
        c. Disciples of Rhythm (contemporary group), weekly rehearsal
        d. Choristers (grades 5-8), weekly rehearsal
        e. Jr. Choristers (grades 3-4), weekly rehearsal
        f. Cantor Guild, quarterly rehearsal


      3. Provides ongoing individual tutoring for parish ministers in need of remedial training and for clergy as needed.

      4. Arranges music, as needed, for instrumentalists.

      5. Composes and/or arranges liturgical music for Handbell Choir.

      6. Adequately prepares for worship celebrations by practicing on a daily basis.

      7. Informs parish musicians of workshops and concerts which they may attend; facilitates their participation.

      8. Keeps abreast of current developments in liturgy and music, and shares this information with staff, ministers of music and congregation.


    Ministry of Pastoral Services - The Director of Music Ministries

      1. Is visibly present at principal parish events, and promotes good public relations both in and out of the parish.

      2. Strives to involve new parishioners in the music program, and continually expands the musical resources of the parish.

      3. Works to foster unity among all parish musicians, and create a spirit of harmony with the presider and other liturgical ministers.

      4. Is involved in ecumenical cluster and Archdiocesan networks of professional peers.

      5. Attends to his/her professional and spiritual development by attending conferences, workshops, and retreats.


IV. Special Projects in Music Ministries:

To the extent that time and resources are available, the Director of Music Ministries will strive to:

    1. Increase the number of vocalists and instrumentalists serving at liturgies, while broadening the demographics and raising the artistic level of volunteer music ministers.

    2. Be a resource in the development of sung liturgies at weekday grade school masses.

    3. Present two concerts or prayer services during the year, which have included a December service of Lessons & Carols and a Spring Music Ministry Concert.

    4. Coordinate visiting choirs/performers for the spiritual and social benefit of the parish.

    5. Organize and coordinate an annual choir appreciation event at the end of the season.


V. Qualities.

The Director of Music Ministries possesses qualities common to all pastoral ministers. In particular, he/she is a person of prayer, is sensitive to the cultural experience of parishioners, understands their spirituality and worship life, and is someone who shares faith, serves the community, and expresses the love of God and neighbor through music.

VI. Competencies and Skills.

In addition to the competencies and skills required of all pastoral ministers, the Director of Music Ministries is:

    1. Knowledgeable and comfortable with church music literature in all forms and styles for the congregation, choirs, vocalists and instrumentalists.

    2. Proficient in liturgical principles.

    3. Has a thorough understanding of the musical, liturgical, and pastoral judgements which must be made in selecting music for liturgy.

    4. Technically proficient in keyboard, voice, and choral/instrumental conducting.


VII. Training.

Preparation for this ministry demands professional training in music and liturgy. Minimally, a Bachelor¹s Degree in Music or equivalent is required for a Director of Music Ministries, however, the equivalent of a Master¹s Degree in music and liturgy is preferred.

Gathering and Workshop with Pedro Rubalcava - May 18-19, 2007

Pastors, parochial vicars, choir directors and liturgy coordinators are invited to gather for a social and a bilingual dialogue (English and Spanish) about their parish liturgy. The evening will be facilitated by Pedro Rubalcava, Director of Hispanic Ministries for Oregon Catholic Press. Hosted bar with wine, soft drinks, and appetizers included.

Pedro Rubalcava is a nationally known clinician and performer with expertise in various musical styles. He has been directing liturgical music groups for more than 20 years. For the past 16 years, he has been working in professional pastoral ministry in various areas, including liturgy and music, evangelization, youth and young adult ministry, catechetical ministry and RCIA.

Pedro received national recognition in 1990 when Amanecer, his bilingual music collection, was nominated for a Grammy award in the Best Mexican/American Performance category. Currently, Pedro is the director of Hispanic ministries for Oregon Catholic Press. He also serves on the executive board of the Instituto Nacional Hispano de Liturgia as the Northwest representative. He lives in Boring, Oregon, with his wife, Kristin, and their two children.

Wine, soft drinks, & appetizers, 7-7:30pm
Round-table Discussion, 7:30-9pm
Saint Mary Cathedral Conference Center
1111 Gough Street, San Francisco
$7/person


Los pastores, vicarios parroquiales, directores de coros, y coordinadores de liturgia están invitados a participar en un diálogo bilingúe (Español e Inglés) sobre su liturgia parroquial. El diálogo será facilitado por Pedro Rubalcava, director de ministerios hispanos de Oregon Catholic Press. Incluye un bar gratuito de vino, bebidas gaseosas, y bocaditos.

Vino, bebidas gaseosas y bocaditos, 7-7:30pm
Diálogo en mesas circulares, 7:30-9pm
Centro de Conferencias en la Catedral de Santa María
1111 Gough Street, San Francisco
$7/persona


also

“Formación para Ministros de Música Litúrgica”
Este taller de un día será ofrecido en Español por Pedro Rubalcava para directores de coros, cantores y otros músicos parroquiales. Tratará la formación básica en la liturgia, el año litúrgico, y los fundamentos de música litúrgica. Bebidas y el almuerzo incluido.

“Formación para Ministros de Música Litúrgica”
para Directores de Coros, Cantores y Músicos
sabado, 19 de mayo, 2007
9:00a — 4:00p
Parroquia de Nuestra Señora del Carmen
300 Fulton Street, Redwood City
$25 por persona por grupos parroquiales de 1-4 personas
$20 por persona por grupos parroquiales de 5-10 personas
$18 por persona por grupos parroquiales de 11 personas y más

Monday, April 30, 2007

Music Ministry Tip #4: Become transparent

This article by Diana Macalintal originally appeared in Today's Parish Minister, Vol. 39, No. 4, April/May, 2007.

Two-Minute Training Tips – Idols and Icons
Learn how to make the assembly's song primary on Sunday.


There are liturgical ministers who are like icons, capturing you by the beauty and skill of their craft yet redirecting your gaze not to them but to God. These are transparent ministers who lead the assembly into worship by putting them first. Then there are others whose ministerial efforts place them front and center, often leaving the assembly to be spectators at the liturgy. This often happens in music ministry where performance and entertainment values can take over.

Don't distract the assembly

If you experience any of the following, you may be in “Catholic Idol” territory:

Make the music ministerial

Most music ministers want to follow what Music in Catholic Worship says: “The function of music is ministerial; it must serve and never dominate” (9). Yet sometimes their very effort becomes the dominating factor. Fred Moleck tells a story about a cantor who, realizing her microphone was not on, rushed to turn it on during the second verse of the gathering hymn and ended up overpowering the assembly which had been doing just fine without the cantor’s amplified leadership. “The cantor in her zeal to lead the congregation forgot the principle that a good liturgical minister does not draw attention to herself. The cantor’s voice cannot dominate the song of the congregation. The music ministers, like all liturgical ministers, are there to serve. It is not a spotlight moment. The minister is to become transparent” (“The Catholic Accent,” Diocese of Greensburg, September 9, 2004).

To help your music ministers become transparent, encourage them be more attentive to their role as assembly members. Liturgical Music Today provides a credo that helps all ministers place their work in context: “The church musician is first a disciple and then a minister. The musician belongs first of all to the assembly; he or she is a worshiper above all” (64). During every moment of the Mass, cantor, choir, musicians, and leaders should do everything that is expected of the assembly in gestures, postures, attention, silent prayer, and spoken responses. Go a step further, and refrain from using song books if the assembly is expected to sing acclamations without the aid of hymnals.

Be clear about roles

Next, help them distinguish their role from that of the assembly by having them do their role and only their role (cf. Constitution on the Sacred Liturgy, 28). For singers, this means letting the assembly take the lead when they are the primary music makers. For example, during hymns, psalm refrains, acclamations, and sung responses, help the assembly get started, then let them go, giving them vocal and visual support only as needed.

Lastly, challenge them to imagine the assembly’s perspective. Assembly members have diverse musical abilities, vocal ranges, and comfort levels with public singing. They have limited opportunities to “rehearse” the music sung at Mass compared to the multiple rehearsals music minister may have during the course of the week. But assemblies generally do want to sing when they feel safe, supported, and respected. When music ministers foster this kind of worship environment, they move from being distracting idols to transparent icons that go beyond themselves, pointing the way to God.



Friday, April 27, 2007

Sacred Heart Catholic School of Saratoga in World Finals for “Odyssey”

Saratoga, CA April 11, 2007 -- Sacred Heart School in Saratoga, will represent California at the World Finals Competition for Odyssey of the Mind. Odyssey of the Mind is a NASA sponsored competition based on both spontaneous and long term problem solving. 800 teams from all over the world are participating in this 4-day event, May 23-May 27 in Michigan.

Sacred Heart’s team of seven 4th & 5th graders earned its place in world competition at the Odyssey California State Finals on March 31 in Visalia. The Championship team scored 341 out of a possible 350 points to earn the first place position. This was more than 60 points ahead of the second place team. They beat out 1,100 other teams on the way to the World Finals.

The students performing at World Finals will be Sacred Heart fifth graders Shannon Carte, Madison Miller, AnnaClaire Marley and Alexandra Murphy, and 4th graders Clay Kellinger, David Lucas and Tyler Morales.

Odyssey of the Mind is an international program that fosters critical thinking, innovative problem solving and team building among participating students from kindergarten through college. According to its website (www.odysseyofthemind.org), "it has grown into such a huge event because it makes learning fun while giving kids the chance to explore their imaginations and express their creativity."

Each year, Odyssey of the Mind publishes 5 new problems to solve. The students do all the work - from scriptwriting to building to devising sets, costumes and props - and must do it within a given budget and without outside assistance. The coaches are there to help only with brainstorming, providing materials and moral support. Millions of children around the world have been working hard all year to perfect their solutions to the 2007 problems and competing within their regions, hoping to advance to the World Finals.

See www.sacredheartodyssey.com

An Easter Walk in San Jose Finds New Life

During an Easter Walk in downtown San Jose last weekend, I saw signs at the top floor of the Martin Luther King, Jr., Library which said "San Jose falcons vista this way." I've heard about the falcons but had never seen them yet. Well, try as I might, I couldn't spot them from the library window.

Thanks to technology and the great folks at City Hall and at the Santa Cruz Predatory Bird Research Group, we can all see the new life springing up atop San Jose's City Hall.

Since last spring, two peregrine falcons have made the new San Jose City Hall their home. This year, the two falcons, named "Jose" and "Clara" by City Hall employees, have been tending three eggs which will be ready to hatch sometime this weekend.

Read more about the falcons here and watch them and the hatching on the 24-hour Falcon Cam!

Thursday, April 26, 2007

Guadalupe Immersion Experience

Reality Tour to Mexico (Oct. 9-18, 2007)
Come meet the people and experience the
culture and faith of Mexico


It's a study tour, a retreat, a pilgrimage.
Spend 10 days in Cuernavaca, Mexico seeing the sights, but also learning "the other side" of the immigration debate. Learn about Liberation Theology as we worship with the Sisters of Guadalupe, hear from them the meaning of the Virgin of Guadalupe, and visit with the poor in their homes. You must register by April 23rd to be assured of a place on the tour. Sponsored by the Council of Churches.

Cost: $700 + airfare (around $500)
(A $200 deposit must be received by April1st to guarantee a place on the tour)

The trip is sponsored by the Council of Churches of Santa Clara County.

For more information and an application, contact Rev. Margo Tenold (408-297-2660) or revmargo@earthlink.net.

Click on flyer for more details.